Ricco

Ricco is a self-taught metal artist who began making original design jewelry in 1970.
Page 2 of 212

Shells and Pearls Earrings

Earrings with sea shells and pearls

Spe­cial Shells

These are orig­i­nal design post ear­rings made with rare shells that are highly iri­des­cent, almost like opals. I found these in a glass case in a shell shop… there were only a dozen or so on a plate. The drops are keshi pearls on 14K gold wires.

Organic Earrings

Organic Earring

Organic is in!

These ear­rings are made from organic mate­r­ial. Can you guess what they are?

They are extremely light weight, but very strong.

They have be given a 22K gold leaf covering.

Lever­back ear­wires are 14K gold.

Selling Your Gold Jewelry

There has been an enor­mous rise in the price of gold over the last few years as  can be seen  here and by scrolling down to the box labelled “MULTI YEAR GOLD”  (check the years 2000 to 2011.)

At a time when the econ­omy is espe­cially tough,  many peo­ple are tempted to cash in their old jewelry. If you’re one of those peo­ple, what do you need to know about the process and its pros and cons? What kind of return can you expect?

A lot depends on what kind of jew­elry you have. If you have dia­mond jew­elry made by famous design­ers like Bul­gari or Cartier that’s one thing. If you have a col­lec­tion of small sil­ver items that you’ve acquired over the years, that’s another.

To sim­plify the dis­cus­sion, let’s focus on the scrap value of gold jew­elry for the metal alone, dis­re­gard­ing any gem­stones or spe­cial fea­tures. For this exam­ple, we assume a col­lec­tion of solid gold 14K jew­elry that weighs 5 ounces (100 pennyweights.)

To find out how much this amount of jew­elry would bring from buy­ers on the inter­net, I did a search for “sell­ing jew­elry” and came up with a host of prospec­tive buy­ers. Many of them did not post what they pay, but some did. On this date, August 16, 2011, the price paid for 14K gold (up to 5 ounces) was $28.19 per pen­ny­weight at  just­sell­gold and $29.07 at express­gold­cash. Mul­ti­ply­ing by 100 (the num­ber of pen­ny­weights) means that you would receive $2,819 at one place and $2,907 at the other.

That sounds like a lot of money for a pile of old gold jew­elry that is just col­lect­ing dust, but let’s cal­cu­late how much pure gold (24K) is in 5 ounces of 14K gold. A pre­vi­ous post showed how to make this cal­cu­la­tion: mul­ti­ply .583 times 5 to find 2.915,  the ounces of pure gold in 5 ounces of 14K gold. Now mul­ti­ply that times the price of gold which at the moment of this post is $1783.00 to find that your 5 ounces of 14K jew­elry has $5197.45 worth of pure gold in it.

Isn’t there a way to get a bet­ter return? For­tu­nately, there is, but you have to know where to look because a lot of refin­ers are not accept­ing scrap from indi­vid­u­als. I checked with Rio Grande, a jeweler’s sup­ply com­pany where I have had an account for many years, and found that they pay $3379.14 in cash for the same 100 pen­ny­weights of 14K scrap that express­gold­cash offered $1694.78 for. That’s quite a dif­fer­ence, but it’s still a long way from $5197.45.

Search­ing for scrap gold offer­ings on Ebay reveals an inter­est­ing thing: many of the items listed as scrap gold are priced slightly higher than the gold con­tent mar­ket price. I sus­pect it’s because a lot of poten­tial buy­ers don’t real­ize that 14K gold has only 58.3 per­cent actual gold con­tent, but I can’t be sure. What­ever the case, sell­ing your items on Ebay might be a way to get the best price for your jew­elry. Appar­ently it works for oth­ers. And maybe list it on Craigs list as well.

Another point to keep in mind is that gold is a highly volatile com­mod­ity, mean­ing that its price can go up or down quickly and markedly. A lot of peo­ple who thought it was a good idea to cash in their jew­elry last year might regret it now that the price is nearly dou­ble. On the other hand, the price could go down to below what they sold for (but not likely.) A lot depends on how much you need the cash, but don’t jump at the first offer.

There is one final option I can men­tion: if you are inter­ested to have Ricco make some­thing new from your old metal, I am avail­able for com­mis­sions and it’s pos­si­ble to pay for the ser­vices in gold as well. Details would have to be dis­cussed, obvi­ously. Con­tact me if this idea is of inter­est to you or if you have fur­ther ques­tions relat­ing to this post.

 

Carats, Karats, and Carrots

Carat is a mea­sure of weight for pre­cious stones, like dia­monds.
Karat is a mea­sure of gold purity.
Car­rot is some­thing you eat.
They are all pro­nounced the same way, but they mean dif­fer­ent things.

What is a carat?

Carat is a weight mea­sure used for pre­cious stones. There are five carats in a gram, so each carat is two tenths of a gram. A five carat dia­mond weighs about the same as a one dol­lar bill. Diamond weight is some­times expressed in “points.”  One hun­dred points is one carat, 10 points is a tenth of a carat, and so on.

What is a karat?

Karat is a mea­sure of gold content. 24 Karat gold is pure gold. 12 Karat gold is an alloy , mean­ing that half the metal is pure gold and half is some other metal (usu­ally a mix of sil­ver and cop­per and smaller amounts of other metals). 18 Karat gold is 18/24 or three-fourths pure gold with the other fourth made up of other met­als. An alloy is a mix of metals.

To find the per­cent­age of pure gold in a piece marked in karats, divide the karat num­ber by 24. Thus, 14K is 14/24 = .583 pure gold, .417 some­thing else. A 14K piece has 58.3% gold in it. The rest is some­thing else, such as sil­ver, cop­per, nickel, zinc, etc.

To find the weight of pure gold is in a piece of jew­elry, weigh the piece and mul­ti­ply by the frac­tion of purity indi­cated by the karat mark. For exam­ple, a ring that is marked 14K weighs 30 grams, so the gold con­tent is .583 times 30 = 17.5 grams gold, with the rest something else.

To find out how much that is worth on the gold mar­ket, go to www.kitco.com and find the cur­rent value.. Today, August 15, 2011, gold is 1739 dol­lars per ounce.  One ounce (troy weight, see below) = 31.1 grams. Using the exam­ple above where you found the weight of gold to be 17.5 grams, divide 17.5 by 31.1 to find the frac­tion of an ounce that rep­re­sents. Thus, 17.5 divided by 31.1 = .562 ounces. Mul­ti­ply that num­ber by the gold price to find the mar­ket value of the gold in the piece: .562 times 1739 = 977.32 dollars.

Troy weight is is used for pre­cious met­als like gold. Avoir­du­pois weight is for car­rots. One ounce troy = 31.1 grams. One ounce avoir­du­pois = 28.35 grams. There are 12 troy ounces in a troy pound. There are 16 avoir­du­pois ounces in an avoir­du­pois pound. Although you can see that there are dif­fer­ent def­i­n­i­tions of an ounce, a gram is a gram is a gram. One thou­sand grams is always a kilo­gram. One kilo­gram is approx­i­mately 2.7 pounds troy and 2.2 pounds avoirdupois.

Another com­mon weight unit for gold is the pen­ny­weight: there are 20 pen­ny­weights in a troy ounce, so 20 pen­ny­weights (abbre­vi­ated dwts) equals 31.1 grams. Divide 31.1 by 20 to find grams per pen­ny­weight (1.55 gm per dwt) or 20 by 31.1 to find pen­ny­weights per gram (.643 dwt per gm). Pen­ny­weights are not used for sil­ver, but they are for plat­inum and pal­la­dium (as well as gold.)

Stamp­ing: By law, items made with pre­cious met­als (like gold, sil­ver, plat­inum) must have a karat mark, made by a spe­cial stamp. Karat stamps can be bought by any­one at a sup­plier of jew­elry tools such as Rio Grande.  They can be used to stamp any kind of metal, so just because some­thing has a karat mark doesn’t mean that it is nec­es­sar­ily what the mark indi­cates.  By law, the mark has to be accom­pa­nied by another mark, indi­cat­ing who made the item, so you know who to blame if there is a dis­crep­ancy. Even so,  there have been cases of “skim­ming” or “under­karat­ing,” espe­cially by for­eign sup­pli­ers since their items are rarely tested for gold con­tent. The basic rule is to know your sup­plier. In that area, the best bets are small pro­duc­ers — inde­pen­dent artists — like me.

Types of Gold:

When you’re con­sid­er­ing a pur­chase of gold jew­elry, it’s easy to get con­fused by the many descrip­tions that include the word “gold.”  Here’s what the most com­mon phrases actu­ally mean:

Gold Filled, also called Gold Over­lay, refers to a layer of at least 10-karat gold that has been per­ma­nently bonded by heat and pres­sure to one or more sur­faces of the under­ly­ing metal (such as brass) then rolled or drawn to a pre­scribed thick­ness. The karat gold weight must be at least 1/ 10 of the total weight. This type of gold might be stamped 1/10 10K GF.

Gold Leaf is usu­ally pure gold metal that has been pounded into paper thin sheets.

Gold Col­ors:

Pure gold has a char­ac­ter­is­tic color that is unmis­tak­able and unlike any­thing else. When alloyed, gold can take on a num­ber of col­ors, includ­ing: white, pink, green, and even purple.

Yel­low gold is gold alloyed with vary­ing per­cent­ages of sil­ver and cop­per plus smaller amounts of other ele­men­tal met­als like zinc, at times. It is the most fre­quently used type of gold.

White gold is alloyed with a large per­cent­age of sil­ver, or a selec­tion of other white met­als, typ­i­cally nickel.   White gold is highly reflec­tive and does not tar­nish. The ancient term for it was Elec­trum. Its use pre­dates that of Pal­la­dium and Plat­inum. A rel­a­tively new white gold is made with alloys of pal­la­dium instead of nickel. Since some peo­ple are aller­gic to nickel, this is a wel­come addi­tion to the fam­ily of alloys. Ricco uses pal­la­dium white golds exclu­sively and never plates on top of them.

Rose gold is made by alloy­ing gold with cop­per, a red metal, and sil­ver.  The more cop­per in the alloy, the red­der the color.

Please con­tact me  if you have fur­ther questions.

Polishing Brass and Copper

Gold and sil­ver prices have been soar­ing lately, so many artists are mak­ing items with less costly met­als like brass and cop­per. When new and brightly pol­ished both of these met­als are beau­ti­ful, but with expo­sure to the ele­ments, lus­ter fades and the sur­face can become less attractive.

How long it takes for the orig­i­nal lus­ter to fade depends on a num­ber of things, but air qual­ity is an impor­tant ele­ment. Smog, for exam­ple, usu­ally con­tains a high amount of sul­furous com­po­nents which inter­act with met­als to form tarnish.

To get the shine back requires the piece  to be pol­ished anew. A liq­uid pol­ish for this is called Brasso and it can be found in many gro­cery store clean­ing prod­ucts aisles.  First apply the liq­uid to a cloth and then rub the metal with the cloth until the shine appears, then rinse in soapy water. The process can be some­what messy and the cloth will turn black, so you might want to use gloves.

Another prod­uct is called Tarni-shield from 3M which has the advan­tage of pro­tect­ing the metal from tar­nish­ing quickly, but sooner or later you’ll have to repeat the process no mat­ter what prod­uct you use. You can get this prod­uct from Ama­zon. If your jew­elry tar­nishes quickly, the 3M prod­uct will prob­a­bly be advis­able because the shine will last longer.

Another tip is to seal your jew­elry in plas­tic zip bags when in stor­age. 3M makes paper strips that help pre­vent tar­nish that you can put in to the bag along with your jew­elry. Find them here.

When con­sid­er­ing a pur­chase of brass or cop­per jew­elry, keep in mind that the piece will need to be main­tained in order to keep the shine (unless it has be lac­quered or treated in sim­i­lar man­ner.) Be aware that pieces with intri­cate details will be harder to pol­ish, while jew­elry with sim­ple shapes will be easier.

Or you can sim­ply let the metal acquire an over­all “antiqued” look which might take time but can result in a pleas­ing patina. How long this takes depends on air qual­ity where you live, but if your items tar­nish quickly you might con­sider let­ting them go and see if you like the result. I rec­om­mend that you try this with an item that is not your favorite, how­ever, because  tar­nish can be very hard to remove once deeply established.

Con­tact me if you have questions.

Bronze and Feather Earrings

This ver­sion has bronze tops and kyan­ite gem­stone drops. Find­ings are 14K.

Orig­i­nal one-of-a-kind design  $295.- (plus tax in West Virginia).

Earrings

 

Titanium and Feather earrings from Ricco

Tita­nium and Feather ear­rings from Ricco

 

Here’s a new design. These are made from tita­nium and golden pheas­ant feath­ers with 14K ear­ring find­ings. Very light­weight and easy to wear. One-of-a-kind orig­i­nal design. $250.- (plus tax in WV).

 

Ricco is Back!

It has been a while but Ricco is now back at the bench and mak­ing new designs.

I will be post­ing pic­tures soon, so keep in touch.

Thanks, Ricco

 

Page 2 of 212